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We are delighted to sing the Epiphany services on Sunday once again while Gloucester Cathedral Choir is on their well deserved break. With Artistic Director Jonathan Hope as organist and led by deputy conductor Charlotte Baskerville
Eucharist (10.15am) Setting: Ireland in C Motet: Howells, A Spotless Rose Evensong (3pm) Introit: O Little One Sweet (harmonised JSB) Responses: Radcliffe Psalm: 98 Canticles: Stanford in B flat
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 What an incredible experience it was to join Cheltenham Symphony Orchestra to perform Holst's The Planets under Luke Jerram's Mars artwork in Gloucester Cathedral (Saturday 12 October 2024). Our sopranos and altos sang off-stage for the mysterious Neptune movement, their voices fading into the distance as they moved away along the cloisters for the closing bars. "Magical" was the audience verdict.
All proceeds from the concert supported the Cathedral's In Tune Music and Organ Campaign. On #SingSunday it's nice to look back on our visit to Westminster Abbey in August 2023 when we sang Evensong in that glorious space. Here is a snippet of Crucem tuam adoramus, Domine by Pawel Lukaszewski. We're getting a few enquiries about hiring the choir for weddings. If you'd like us to sing for your wedding, have a listen to the recent recordings on the link below and fill in the contact form. https://www.saintceciliasingers.org/book-us.html  An important focus for the Saint Cecilia Singers is to support the music of Gloucester Cathedral however we can. We're always on standby should the Cathedral ever need a choir at short notice to sing services. That happened on Sunday 26 May when a visiting choir unfortunately had to cancel. A small cohort of 10 singers assembled to sing the Eucharist service (St Anne's Mass by James McMillan and Tchaikovsky's Hymn to the Trinity). Ben Sawyer conducted and James Lancelot accompanied on organ.  'We loved performing Ian Venables' Requiem in beautiful Great Malvern Priory with Worcester Cathedral Chamber Choir as part of the Elgar Festival. The Requiem has become an instant classic and it was a particular privilege to sing it in a powerful new orchestral version accompanied by the English Symphony Orchestra. Our rehearsal and performance were held in the presence of the composer Ian Venables himself!
Seen and Heard International reviewed the concert, calling it a 'masterly and moving Requiem performed with conviction at the Elgar Festival' What a weekend of amazing music making in our home cathedral at Gloucester! With the cathedral choir having a well-earned half term break, the Saint Cecilia Singers stepped into action for evensong on Saturday and Sunday, and the cathedral Eucharist on Sunday morning. You can watch the cathedral livestream below. We're not sure who enjoyed the music more - the singers, the congregation or the clergy!  Bill Armiger We are proud and delighted to be singing William Armiger's beautiful Shakespeare Songs at our next concert. As well as being a wonderful singer and composer and a stalwart of the Saint Cecilia singers, Bill is also the Secretary of the Sanders Society. Here he tells us something of his history with Gloucester Cathedral and how John Sanders and others have influenced his compositions. When I joined the Gloucester Cathedral Choir in 1971, I came from Southwark Cathedral with an already-developing extra-curricular love of solo concert and recital performance - especially a growing love of the German Lieder Schools of Schubert, Schumann, Wolf, Brahms and Mahler. John Sanders encouraged this interest and enabled me to present several recitals throughout the county and further afield, as well as in the cathedral itself (the Chapter House is fine but what a recital venue the North Transept is!)  The Ivor Gurney memorial at Gloucester cathedral When I sang "Severn Meadows" at the dedication of the Ivor Gurney Memorial at the foot of the organ steps, it was John’s encouragement that pushed me even further into an exploration of Gloucestershire’s contribution to English Song - most especially the work of Vaughan Williams, Ivor Gurney and Gerald Finzi. It was perhaps the acquisition of some insight gained through the performance of his Song Cycles that I became keenly aware of the consummate skill in setting the words of English poetry that Finzi so wonderfully demonstrates. That love of English poetry - and the way in which it can be further enhanced through music - has since prompted me to revive early lessons in harmony and counterpoint. Largely for my own pleasure, I have become fascinated by the act of choral composition itself, and when my work is given actual voice in a live performance, that pleasure knows no bounds. My earlier recital work and my long experience of choral singing in the wonderful acoustic of Gloucester Cathedral all combine with a long-held love of English poetry. But I must acknowledge that the achievement of this sense of fulfilment owes so very much to the personal influence of two people: Christian Wilson, long-time friend, inspiring teacher, superlative accompanist and godfather to our children - to whom the third of the Five Songs from Shakespeare is dedicated; and to my other constant benefactor and encourager - John Derek Sanders.
 It's easy to socially distance an a building as large as Gloucester Cathedral, but we were all pleased that the sun shone for our rehearsal this evening.
While it can be a challenge to sing outdoors and two metres apart from each other, it was still such a treat to sing together in the beautiful cloister garth, while the setting sun bathed us in golden light...  The Saint Cecilia Singers would like to wish everyone a safe and happy 2021 - let's see what this year has in store for us!
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